«[…] craving for narrative» lässt sich einfach nicht gut übersetzen (2016), Director: Machs Grau
.TV (2017), Director: Anthony Svatek
18 Black Boys Ages 1-18 Who Have Arrived at the Singularity – Performed in Bedstuy, Brooklyn (2015), Director: Terence Nance
18 Black Girls Ages 1-18 Who Have Arrived at the Singularity – Performed in Bedstuy, Brooklyn (2015), Director: Terence Nance
A propos de Lanzarote et de Michel Houellebecq en particulier (2020), Director: Vincent Tricon
All That is Solid (2014), Director: Louis Henderson
Amazonia (2019), Director: Roger Beebe
Apple Computers (2013), Director: Nick Briz
Aquí y allá (Here and There) (2020), Director: Melissa Liebenthal
As If Sand Were Stone… (2019), Director: Ben Mendelsohn
At Home But Not At Home (2020), Director: Suneil Sanzgiri
“Baby Come Home,” Foundland (2015), Director: Foundland Video
Big_Sleep™ (2015), Directors: Evan Meaney and Amy Szczepanski
Bodycam (2016), Director: Stéphane Myczkowski
Clean With Me (After Dark) (2019), Director: Gabrielle Stemmer
Cleaning the Glass (2016), Director: Brett Kashmere
The Comic Sans Video (2018), Director: Roger Beebe
Contra-Internet Inversion Practice #3: Modeling Paranodal Space (2016), Director: Zach Blas
Current State of Everything: Body as Archive (2018), Director: dana washington
Dear Bill Gates (2006), Director: Sarah Christman
Dear Steve (2010), Director: Herman Asselberghs
Divieto 2 (2018), Director: Alex Tyson
Exercises in Historical Perspective (2006), Director: Ben Mendelsohn
Foot Stretcher (2017), Director: Inbar Hagai
General Motors (1976), Director: Phil Morton
Grosse Fatigue (2013), Director: Camille Henrot
Harun Farocki: The Counter-Image (2019), Director: Kevin B. Lee
Hiding Our Faces Like a Dancing Wind (2016), Director: Yazan Khalili
Holly Herndon – Chorus (2014), Director: Akihiko Taniguchi
Holly Herndon – Home (2014), Director: Metahaven
Homage by Assassination (1992), Director: Elia Suleiman
How to Disappear Completely (2020?), Director: Cameron Granger
How to/Why Leave Facebook (2014), Director: Nick Briz
influencer (2018), Director: Lillian Dam Bracia
Lineage for Multiple-Monitor Workstation: Number One (2015), Director: Sondra Perry
The Migrating Image (2019), Director: Stefan Kruse Jørgensen
Miscalculated Projections (2015), Director: Alice Dalgalarrondo
My Crush Was a Superstar (2016), Directors: Chloë Galibert-Lainé and Kevin B. Lee
My First Film (2015), Director: Zia Anger
My Life in Google (2015), Director: Adam Sekuler
My%Desktop (2002), Directors: JODI–Joan Heemskerk and Dirk Paesmans
Nightingale (2019), Director: Tara Judah
Noah (2013), Directors: Patrick Cederberg and Walter Woodman
Occidente (2014), Director: Ana Vaz
On the Secret We Share (2018), Director: Jerome AB
Positive YouTubers–A Machinima Documentary (2017), Director: Leandro Goddinho
Russian Windows (2018), Director: Olivia Eberts
Shared Grief (2015), Director: Adam Sekuler
Soft Film (2016), Director: Sara Cwyner
Street Views (2014), Director: Annie Berman
The Sweetest Sound (2001), Director: Alan Berliner
Transformers: The Premake (2014), Director: Kevin B. Lee
Vague Images at the Beginning and End of the Day (2015), Director: Carl Elsaesser
Videograms of a Revolution (1993), Director: Harun Farocki
Watching the Pain of Others (2018), Director: Chloë Galibert-Lainé
What is Deep Sea Mining? Episode 1: Tools for Ocean Literacy (2018), Director: Inhabitants
What is Deep Sea Mining? Episode 4: A Deep Sea Mining Glossary (2019), Director: Inhabitants
When Things Occur (2016), Director: Oraib Toukan
Why Go Vegan: A Desktop Documentary (n.d.), Director: Karleigh Murphy
windows_h264_01 (2017), Director: Ingo Raschka
Wo/anderland (2020), Director: MassHysteria
You Are Now Running on Reserve Battery Power (2011), Director: Jessie Stead
Your father was born 100 years old and so was the Nakba (2017), Director: Razan AlSalah
“Lonely Generation,” by Echosmith (2019)
“Modern Loneliness,” by Lauv (2020)
“Run and Run,” by Lyrical School (2016)
“260. Desktop Cinema Presentation.” Kevin B. Lee. Vimeo (2014).
“Computer Interface as Film: Post-Media Aesthetics of Desktop Documentary.” Luka Bešlagić. AM Journal of Art and Media Studies (October 2019).
“Desktop Documentary.” Film Scalpel (n.d.)
“In Another American Skin: Development of Empathy through Desktop Documentary Making.” James Schul. Social Studies Research and Practice 6, no. 3 (December 2011): 18–33.
“The Interface as Playground: Albert Figurt’s Desktop Narratives.” Marijn Bril. Tactical Visual Culture (November 11, 2020).
“Narrative and Database in ‘All That is Solid,’ a Desktop Documentary.” Sara Magno. Galáxia (São Paulo) 41 (2019): 14-30.
“On Desktop Documentary (or Kevin B. Lee Goes Meta!).” Film Studies for Free (April 6, 2015).
“Screenic (Re)orientations : Desktop, Tabletop, Tablet, Booklet, Touchscreen, Etc.” Miriam De Rosa and Wanda Strauven. In Screen Space Reconfigured, 231-262. Susanne Saether and Synne Tollerud Bull, eds. Amsterdam: Amsterdam University Press.
“Video Essay: The Essay Film–Some Thoughts of Discontent.” Kevin B. Lee. BFI (May 22, 2017).
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